AUDIO MIXERS
In professional audio, a mixing console, or audio mixer, also called a mixing desk, or simply mixer is an electronic device for combining, routing, and changing the level or dynamics of audio signals. The modified signals are summed to produce the combined output signals.
Mixing consoles are used in many applications, including recording studios, public address systems, sound reinforcement systems, broadcasting, television, and film post-production.
CARILLON 8 CHANNEL MIXER
Carillon M8
Specifications
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2 Mic/Line inputs with 3 band EQ,
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2 Stereo inputs with 3 band EQ
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2 Trk In/Out,
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1 Stereo AUX return
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1 Headphone out
MACKIE 4 CHANNEL MIXER
Mackie 402-VLZ3
Specifications
•Ultra-compact 4-channel mixer
•2 studio-grade XDR2™ Extended Dynamic Range mic preamps with:
- Ultra-wide 60dB gain range
- 130dB dynamic range
- +22dBu line input handling
- Extended low frequency response
- Distortion under 0.0007% (20Hz - 20kHz)
- Phantom power for studio condenser mics
•4 high-headroom line inputs
•2 selectable Instrument inputs – no DI box needed
•2-Band Active EQ (80Hz, 12kHz) and Lo-Cut filter on mic channels
•Phantom power for studio condenser mics
•Dedicated Stereo Line Input and Tape Input channels
MACKIE 8 CHANNEL MIXER
Mackie 802-VLZ3
Specifications
•Ultra-compact 8-channel mixer
•3 studio-grade XDR2™ Extended Dynamic Range mic preamps with:
- Ultra-wide 60dB gain range
- 130dB dynamic range
- +22dBu line input handling
- Extended low frequency response
- Distortion under 0.0007% (20Hz - 20kHz)
- Phantom power for studio condenser mics
•8 high-headroom line inputs
•Advanced DC pulse transformer RF rejection
•Aux send, level, pan and PFL solo on each channel
•Selectable Instrument inputs on first two channels – no DI box needed
•Stereo Return for connecting effects processor or other stereo source
•3-Band Active EQ (80Hz, 2.5kHz, 12kHz)
•18dB/oct. 100Hz Lo-Cut filter on Mic input channels
•ALT 3/4 stereo bus for added versatility
•Control Room/Phones source matrix
MACKIE 16 CHANNEL MIXER
Mackie CFX16MK2
Specifications
•High-headroom mic preamps with RF rejection
•16 channels (12 mic/line mono, and 2 stereo line channels)
•32-bit EMAC(tm) digital effects with 9 reverbs, 4 delays, phaser, chorus, flange; 2 parameter controls + EFX wide spatial expander
•External and internal EFX sends
•EFX to Monitor control
•9-band stereo graphic equalizer
•Inserts on all mic channels and main mix
•True 4-bus design with direct sub outs and L/R assign
•2 Pre/Post Aux sends and internal/external FX level sends on each channel
•3-band EQ with swept mid (100Hz to 8kHZ) on mic/line channels
•4-band EQ on stereo line channels
•Pan, Mute, PFL solo on each channel
•Inserts and 100Hz low-cut filters on all mic/line channels
•Subwoofer output from built-in 18dB/oct. 75Hz crossover
•Ingenious BREAK switch
•Headphone output with level control
•Tape/CD inputs with level control assignable to Main Mix via Break switch
•Logarithmic taper 60mm faders
•48V phantom power
•12V BNC lamp jack